Portfolios for creativesYour portfolio should not
have a monthly fee.

Stop paying ReadyMag, Squarespace or Cargo and your work disappears from the internet. We build the same portfolio — or better — on a site that is yours, that never expires, and that Google and AI assistants can actually read end to end.

Built with

React
TailwindCSS
TypeScript
Vercel
The problem

You are renting the place your work lives

It is not just the fee. It is what the fee makes you accept while you pay it.

You pay for it to exist

The day you stop paying, the site goes dark. Ten years of work hanging off a direct debit.

You hit the limit and that is where you stay

You want to move a block, change a transition, add a language. If the template does not allow it, it cannot be done. Full stop.

Your work gets compressed

Platforms re-compress images to save bandwidth. If you make a living from visual detail, you are showing a worse version of what you do.

Nobody finds you

Many platform portfolios load the work through JavaScript and leave very little readable text. Google indexes what it can, and an AI assistant needs exactly what is missing: text it can read and cite.

The sum

How much have you paid to rent your portfolio?

We do not list platform prices here: they change, they vary by country and any table ages badly. Put in your real fee and see the total.

You have paid

960 €

and the site is still not yours

Your own portfolio

From €620 once, with the code and the domain in your name. Maintenance — €90/month — is optional: skip a month and your site stays online all the same.

See full pricing

The comparison is deliberately not entirely fair: a platform includes hosting and support, and here maintenance is paid separately if you want it. What really changes is not the price — it is who owns the site.

Four published

Not an idea: all of it is live.

Three client portfolios, each with a different problem, plus the founder’s own. Two of the three were paying a subscription and neither pays it any more.

Camila Podestá
Industrial and 3D design

Camila Podestá

Live

She came from ReadyMag, tied to a subscription and to the tool’s limits. Now she has the changes she could not make there, and no fee.

  • Renders at full quality, no platform re-compression
  • The changes the previous tool would not allow
  • No subscription: the site is hers
Fast Web made the changes I could not manage in ReadyMag, and with this I am no longer tied to a subscription. I really recommend them!
Camila Podestá
Marcos Morales
Design and visual art

Marcos Morales

Live

He came from Squarespace, paying a monthly membership. Now he has his portfolio in high resolution, with no fee and visible in search.

  • High resolution and instant loading
  • Visible on Google and in AI search
  • No monthly membership
My work is shown at maximum quality and loads instantly. And on top of that I show up on Google without any third-party platform.
Marcos Morales
Rystok Music
Music · touring Europe

Rystok Music

Live

He needed a place where his music plays, his videos are seen and his story is read — in two languages, because he plays all over Europe.

  • Music and video playback built in
  • Bilingual, for the audience in each country he plays
  • Nothing to pay monthly
Working with Fast Web was dynamic: even while away on a work trip I got it done without problems. We often make excuses not to move forward with these things, and here there was no need.
Rystok
Agustín Rüdegar
Design, art and automation

Agustín Rüdegar

Ours

The portfolio of Fast Web’s founder. It is where you can see, with no client in between, the standard the others are built to: work at full quality, three different working languages — design, art and automation — and all of it readable by a search engine.

  • Bilingual, each language on its own address
  • Video, 3D and painted work with no re-compression
  • Prerendered: search engines read the whole page

The first three are real clients, with their public site linked above and their quotes verbatim. The fourth is the portfolio of Fast Web’s founder: not a commission, and it says so.

What you get

What your own portfolio includes

The code and the domain, in your name

No account to cancel, no export to negotiate. If you leave tomorrow, you take the whole site with you.

Your images as you exported them

No platform re-compression. Modern formats and progressive loading so they look good and load fast at the same time.

Readable by search engines and assistants

Real text, structured data for the artist and the work, and a structure an assistant can read and cite. It is the house speciality.

The languages you need

Like Rystok, who tours Europe and has his site in two. Each language on its own URL, not an automatic translator bolted on top.

Design made, not picked from a list

Graphic design and fine arts training behind it. We do not start from a template: we start from your work.

Maintenance only if you want it

From €90/month for changes, backups and updates. Skip a month and your site stays online exactly as it is.

FAQ

What people ask before making the move

The real questions from someone who has spent years on a platform.

  • Yes, and it is the most common case. Camila arrived with her design made in ReadyMag and we rebuilt it, adding the changes she could not make there. It works perfectly as a starting point.

  • Not if it is done properly. The same addresses are kept where possible and the ones that change are redirected, so neither Google nor anyone else lands on a broken page. In practice most platform portfolios have so little visibility that the move improves them.

  • Yes. The domain is yours and stays yours. If it was inside the platform, it gets transferred to your name before anything else.

Shall we get your portfolio off the subscription?

Tell us which platform you use and what you wish you could do that you currently cannot. We will tell you whether it makes sense and what it would cost, no strings.